Tag: Keanu Reeves
-
The truth is often terrifying, which I think is one of the motifs of Larry and Andrew’s cinema. The cost of knowledge is an important theme. In the second and third films, they explore the consequences of Neo’s choice to know the truth. It’s a beautiful, beautiful story.
Keanu Reeves
-
The simple act of paying attention can take you a long way.
Keanu Reeves
-
It’s the journey of self, I guess. You start with this kind of loner, outside guy, which a lot of people can relate to, and he goes out into the world.
Keanu Reeves
-
On a good night, I get underwear, bras, and hotel-room keys thrown onstage… You start to think that you’re Tom Jones.
Keanu Reeves
-
I think – I don’t know, maybe it’s nostalgia. But the choice, losing the choice to be able to use film is going to be – it’s gone. It’s going to be gone.
Keanu Reeves
-
I’ve been really fortunate to be able to do different kinds of films in different scales, different genres, different kinds of roles, and that is important to me.
Keanu Reeves
-
Here comes 40. I’m feeling my age and I’ve ordered the Ferrari. I’m going to get the whole mid-life crisis package.
Keanu Reeves
-
How do people relate to movies now, when they’re on portable devices or streaming them? It’s not as much about going to the movies. That experience has changed.
Keanu Reeves
-
I have a producing partner named Stephen Hamel, and we’ve been trying to generate material.
Keanu Reeves
-
I am waiting for the right story to tell. Just like ‘Man of Tai Chi’ just seemed to be the right story to tell. So I’m looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
Keanu Reeves