Tag: Yusef Komunyakaa
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I see many black males grasping for some thread of hope. There are so many destructive practices, glimpses into a psychic abyss. That must be very frightening.
Yusef Komunyakaa
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I define poetry as celebration and confrontation. When we witness something, are we responsible for what we witness? That’s an on-going existential question. Perhaps we are and perhaps there’s a kind of daring, a kind of necessary energetic questioning. Because often I say it’s not what we know, it’s what we can risk discovering.
Yusef Komunyakaa
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Students often have such a lofty idea of what a poem is, and I want them to realize that their own lives are where the poetry comes from. The most important things are to respect the language; to know the classical rules, even if only to break them; and to be prepared to edit, to revise, to shape.
Yusef Komunyakaa
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I think of my poems as personal and public at the same time. You could say they serve as psychological overlays. One fits on top of the other, and hopefully there’s an ongoing evolution of clarity.
Yusef Komunyakaa
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Vietnam helped me to look at the horror and terror in the hearts of people and realize how we can’t aim guns and set booby traps for people we have never spoken a word to. That kind of impersonal violence mystifies me.
Yusef Komunyakaa
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Poets are seen as the caretakers of language, so working with words no matter what the form is what we do.
Yusef Komunyakaa
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We have to embrace the good over the bad. That has to be one’s personal project.
Yusef Komunyakaa
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Poetry helps me understand who I am. It helps me understand the world around me. But above all, what poetry has taught me is the fact that I need to embrace mystery in order to be completely human.
Yusef Komunyakaa
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I like what Oliver Lakes does on the saxophone. The saxophone comes pretty close to the sound of the human voice and when Oliver plays with other sax players, it’s like a dialogue.
Yusef Komunyakaa
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I’m uncomfortable with the focus on the poet and not on the poem.
Yusef Komunyakaa